escenas discursivas_thinking laboratory:
16–21 April 2012
Matadero / El Ranchito, Madrid
The final phase of the escenas discursivas research on critical discourses on the contemporary performing arts scene in Madrid is one-week thinking laboratory. It is edited by the working group involving: Ana Vujanovic, Marta Popivoda (TkH), Catarina Saraiva (El Ranchito), Isabel de Naveran and Victoria Perez Royo (Artea).
The laboratory is meant to open the research both in terms of including more collaborators and of making it public in the context of Madrid. Making the topics and voices that appear in the research public could help a collective critical self-reflection of the actual state of affairs and a projection of the future of the scene. At the same time, the editors don’t want to keep the laboratory local-specific, although it is deeply context-based, as they believe that we share the similar obstacles, problems and precariousness at the contemporary art scene in the neo-liberal capitalist societies. Therefore we could help each other in understanding our local specificities through a wider story which is not told univocally.
Topics of the day:
16 April: Shaking the state of affairs – critique, resistance, alternative, invention
(how to approach actual state of things at the scene, in the city, in society, when it does not satisfy us? between problematization and affirmation of the new)
17 April: Performing arts in the cultural-artistic topology of the city
(cultural policy and investment in the performing arts, relations between and meeting points of performing and visual arts, the visibility of the performing arts in the city)
18 April: Creating the context
(contextual approach, overcoming the prevalent neoliberal individualism, belonging and commitment, collectivity and collaboration, ethics of work)
19 April: Go international or, else, stay local
(how much is the global international? how much is the local authentic? opening the scene towards international context, rediscovering the local. questions of politics, aesthetics and embodiment)
20 April: Lack of…
(space, time, funds, resources, infrastructures… in the age of austerity. critical and alternative practices in ways of work and production, focus on common pool resources).
21 April: Continuity, a ‘mission impossible’
(why are we continual mostly in being discontinuous? short-termism and ‘ad-hocism’, exhaustion, fatigue and abandon. plus: how to continue with escenas discursivas?)
