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	<title>escenas discursivas &#187; sustaining the questions</title>
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	<description>Research on critical discourses on the contemporary performing arts scene in Madrid &#124;&#124; by Ana Vujanovic and Marta Popivoda – TkH: Walking Theory, Belgrade &#124;&#124; Matadero – El Ranchito, 2011/12</description>
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		<title>interview &#124;&#124; Paz Rojo</title>
		<link>https://escenasdiscursivas.tkh-generator.net/2011/04/interview-paz-rojo/</link>
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		<pubDate>Mon, 18 Apr 2011 13:40:39 +0000</pubDate>
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				<category><![CDATA[02_interviews]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[collaboration/collectivity]]></category>
		<category><![CDATA[creating a problem]]></category>
		<category><![CDATA[cultural worker]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dis-appropriation of I-label]]></category>
		<category><![CDATA[internationalism]]></category>
		<category><![CDATA[Matadero]]></category>
		<category><![CDATA[Paz Rojo]]></category>
		<category><![CDATA[performing arts]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[reflection]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[Research group on performance practice]]></category>
		<category><![CDATA[sustaining the questions]]></category>

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		<description><![CDATA[Framework of the interview: actors / agencies: -       Paz Rojo, choreographer, cultural worker -       Research group on performance practice (the laboratory and the project to be developed in Matadero), and collaborative initiatives abroad (e.g. LISA) concepts / themes &#62; lenses to the actors/agencies: -       critical ways of work and production: collaboration – why do you practice collaboration and [...]]]></description>
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<p><span style="text-decoration: underline;"><strong>Framework of the interview:</strong></span><br />
<span style="text-decoration: underline;"><strong><br />
</strong></span><strong><em>actors / agencies:</em></strong><br />
-       Paz Rojo, choreographer, cultural worker<br />
-       Research group on performance practice (the laboratory and the project to be developed in Matadero), and collaborative initiatives abroad (e.g. LISA)<br />
<strong><span style="text-decoration: underline;"> </span></strong></p>
<p><em><strong>concepts / themes &gt; lenses to the actors/agencie</strong></em>s:<br />
-       <span style="text-decoration: underline;">critical ways of work and production:</span> collaboration – why do you practice collaboration and collectivity? is it a critical practice here (if so, why?); how do you produce your works? how and with whom do you collaborate? where do you perform? what is the organizational principle of the “research group on performance practice”?<br />
-       <span style="text-decoration: underline;">critical practices related to the reflection:</span> artistic research and reflection are among your commitments; is the creating the conditions for reflections on practice a critical practice in madrid? (if so, why?), what are the relations between reflection and research and request for production?<br />
-       <span style="text-decoration: underline;">other possible themes:</span> internationalism – your education (CNDO), referential system etc., how are they perceived here?; is internationalism critical at the scene in Madrid? do you consider your artistic work critical? if so, pls explain a bit, and try to think critical to what, and for what sake</p>
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