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	<title>escenas discursivas &#187; La Inesperada</title>
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	<description>Research on critical discourses on the contemporary performing arts scene in Madrid &#124;&#124; by Ana Vujanovic and Marta Popivoda – TkH: Walking Theory, Belgrade &#124;&#124; Matadero – El Ranchito, 2011/12</description>
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		<title>interview &#124;&#124; Monica Valenciano</title>
		<link>https://escenasdiscursivas.tkh-generator.net/2012/04/interview-monica-valenciano/</link>
		<comments>https://escenasdiscursivas.tkh-generator.net/2012/04/interview-monica-valenciano/#comments</comments>
		<pubDate>Sun, 08 Apr 2012 10:39:14 +0000</pubDate>
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				<category><![CDATA[02_interviews]]></category>
		<category><![CDATA[Ana Buitrago]]></category>
		<category><![CDATA[Carlos Marquerie]]></category>
		<category><![CDATA[collaboration/collectivity]]></category>
		<category><![CDATA[Devasciones]]></category>
		<category><![CDATA[El Bailadero]]></category>
		<category><![CDATA[Elena Córdoba]]></category>
		<category><![CDATA[José Antonio Sánchez]]></category>
		<category><![CDATA[La Inesperada]]></category>
		<category><![CDATA[Monica Valenciano]]></category>
		<category><![CDATA[Olga Mesa]]></category>
		<category><![CDATA[reflection]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[theoretical reflection]]></category>
		<category><![CDATA[UVI]]></category>

		<guid isPermaLink="false">http://escenasdiscursivas.tkh-generator.net/?p=76</guid>
		<description><![CDATA[&#160; Framework of the interview: actors / agencies: Monica Valenciano, choreographer, dancer El Bailadero, company research group La Inesperada association UVI – festival Devasciones &#160; topics: critical cultural policies: -       the importance of continuity – sustainability, survival and change &#160; collaboration / collectivity -       how do you see it? as a functional solution only? or [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2012/04/Monica.jpg"><img class="alignnone size-full wp-image-77" title="Monica" src="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2012/04/Monica.jpg" alt="" width="850" height="567" /></a> <span id="more-76"></span></p>
<p><iframe src="http://player.vimeo.com/video/39930112?portrait=0&amp;color=00CCFF" width="850" height="478" frameborder="0"></iframe><br />
&nbsp;</p>
<p><span style="text-decoration: underline;"><strong>Framework of the interview:</strong></span></p>
<p><em><strong>actors / agencies: </strong></em></p>
<ul>
<li>Monica      Valenciano, choreographer, dancer</li>
<li>El Bailadero,      company</li>
<li>research group      La Inesperada</li>
<li>association      UVI – festival Devasciones</li>
</ul>
<p>&nbsp;</p>
<p><em><strong>topics:</strong></em></p>
<p><strong> </strong></p>
<p><span style="text-decoration: underline;">critical cultural policies</span>:</p>
<p>-       the importance of continuity – sustainability, survival and change</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;">collaboration / collectivity</span></p>
<p>-       how do you see it? as a functional solution only? or as an opposition, resistance, alternative to the socially predominant individualism?</p>
<p>-       UVI – the structure, ways of collaboration; ana buitrago, olga mesa, elena córdoba – la inesperada; collaboration with amalia fernandez in el bailadero; artistic collaboration with fernando renjifo</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;">critical practices related to the reflection</span></p>
<p><span style="text-decoration: underline;">critical terms &amp; concepts: </span>research vs. training, reflection vs. production</p>
<p>-       la inesperada – how does it function? what are the methods of artistic research?</p>
<p>-       What is the importance of research in artistic work? can you explain your approach in the terms of: research vs. training and reflection vs. production? whose theoretical reflections you find important and influential to you?</p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;">other themes: </span></p>
<p>-       criticality at the performing arts scene in the late 80s and today – a comparison;</p>
<p>-       is criticality an important aspect of art? do you consider your artistic work critical? if so, please explain and try to think critical to what, and for what sake.</p>
<p>&nbsp;</p>
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