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	<title>escenas discursivas &#187; Juan Domínguez</title>
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	<description>Research on critical discourses on the contemporary performing arts scene in Madrid &#124;&#124; by Ana Vujanovic and Marta Popivoda – TkH: Walking Theory, Belgrade &#124;&#124; Matadero – El Ranchito, 2011/12</description>
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		<title>interview &#124;&#124; Amalia Fernández</title>
		<link>https://escenasdiscursivas.tkh-generator.net/2012/03/interview-amalia-fernandez/</link>
		<comments>https://escenasdiscursivas.tkh-generator.net/2012/03/interview-amalia-fernandez/#comments</comments>
		<pubDate>Sun, 25 Mar 2012 15:35:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[02_interviews]]></category>
		<category><![CDATA[Amalia Fernández]]></category>
		<category><![CDATA[continuity]]></category>
		<category><![CDATA[El Club]]></category>
		<category><![CDATA[In-Presentable]]></category>
		<category><![CDATA[Juan Domínguez]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[public talk]]></category>
		<category><![CDATA[theoretical reflection]]></category>

		<guid isPermaLink="false">http://escenasdiscursivas.tkh-generator.net/?p=66</guid>
		<description><![CDATA[Framework of the interview: actors / agencies: - Amalia Fernández, independent artist, choreographer - El Club concepts / themes &#62; lenses to her work: -       critical practices in ways of work and production: - your position is specific – since you live in a village outside Madrid. Why did you decide to move? And how [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2012/03/Amalia.jpg"><img class="alignnone size-full wp-image-67" title="Amalia" src="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2012/03/Amalia.jpg" alt="" width="850" height="567" /></a><br />
<span id="more-66"></span><br />
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<p><strong style="text-decoration: underline;">Framework of the interview:</strong><br />
<em><strong>actors / agencies:</strong></em><br />
<em>- </em><em>Amalia Fernández, independent artist, choreographer</em><br />
<em>- </em><em>El Club</em></p>
<p><em><strong>concepts / themes &gt; lenses to her work:</strong></em><br />
-       <span style="text-decoration: underline;">critical practices in ways of work and production:</span><br />
- your position is specific – since you live in a village outside Madrid. Why did you decide to move? And how does it influence your way of work? How do you produce your works? How and with whom do you collaborate? Where do you perform? Do you belong to the Madrid scene? Do you understand it an individualist position? What is your understanding of collectivity?<br />
-       <span style="text-decoration: underline;">critical practices related to the reflection: </span><br />
- Do you have an opportunity to research on your and the others’ artistic practices – if so, what are the structures for it? Can you explain your understanding of El Club in regard to this?<br />
- Are you satisfied with reflections and theoretical feedback on your work?<br />
-       <span style="text-decoration: underline;">other possible themes:</span><br />
- Do you consider your artistic work critical? If so, please explain in which terms, how (by its subjects/themes, or the ways of work&#8230;).<br />
- And, what do you think, is it important for an artist to be critical?</p>
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		<item>
		<title>interview &#124;&#124; Juan Domínguez</title>
		<link>https://escenasdiscursivas.tkh-generator.net/2011/04/interview-juan-dominguez/</link>
		<comments>https://escenasdiscursivas.tkh-generator.net/2011/04/interview-juan-dominguez/#comments</comments>
		<pubDate>Fri, 22 Apr 2011 10:24:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[02_interviews]]></category>
		<category><![CDATA[collaboration between institutions and independent scene]]></category>
		<category><![CDATA[continuity]]></category>
		<category><![CDATA[creating the context]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[deconstruction of theatrical conventions]]></category>
		<category><![CDATA[El Club]]></category>
		<category><![CDATA[experimentation]]></category>
		<category><![CDATA[festival]]></category>
		<category><![CDATA[In-Presentable]]></category>
		<category><![CDATA[interdisciplinarity]]></category>
		<category><![CDATA[internationalism]]></category>
		<category><![CDATA[Juan Domínguez]]></category>
		<category><![CDATA[Living room]]></category>
		<category><![CDATA[public space]]></category>
		<category><![CDATA[public talks]]></category>
		<category><![CDATA[theoretical reflection]]></category>

		<guid isPermaLink="false">http://escenasdiscursivas.tkh-generator.net/?p=47</guid>
		<description><![CDATA[&#160; Framework of the interview: actors / agencies: -       Juan Domínguez, choreographer -       In-Presentable festival -       Living room festival (Madrid – Berlin) concepts / themes &#62; lenses to the actors/agencies: -       critical ways of work and production: how do you produce your works in madrid? how and with whom you collaborate (except in production of a piece)? where do [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan-01.jpg"><img class="alignnone size-full wp-image-48" title="juan 01" src="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan-01.jpg" alt="" width="850" height="567" /></a><span id="more-47"></span></p>
<p><iframe src="http://player.vimeo.com/video/22723844?portrait=0&amp;color=00CCFF" width="850" height="478" frameborder="0"></iframe><br />
&nbsp;</p>
<p><span style="text-decoration: underline;"><strong>Framework of the interview:</strong></span></p>
<p><em><strong>actors / agencies:</strong></em><br />
-       Juan Domínguez, choreographer<br />
-       In-Presentable festival<br />
-       Living room festival (Madrid – Berlin)</p>
<p><em><strong>concepts / themes &gt; lenses to the actors/agencies:</strong></em><br />
-       <span style="text-decoration: underline;">critical ways of work and production:</span> how do you produce your works in madrid? how and with whom you collaborate (except in production of a piece)? where do you perform?; Living room festival – and its creation of new public space, and freedom from institutional requests; why did you initiate El Club?<br />
-       <span style="text-decoration: underline;">critical discourses in medium and form of performance: </span>your artistic work as deconstruction of theatrical mechanisms and conventions; your work with ‘expanded time’; what do the concepts of interdisciplinarity &amp; dis-disciplinarity mean to your work?<br />
-       <span style="text-decoration: underline;">critical cultural policies: </span>In-Presentable – importance of bringing authors from abroad, creating space for continual public talks and dialogues; what do you think about collaboration between institutions and independent/freelance scene – La Casa Encendida + In-Presentable?<br />
-       <span style="text-decoration: underline;">one more possible theme</span>: are you satisfied with reflections and theoretical feedback on your work (here)?<br />
<span style="text-decoration: underline;"><strong><br />
</strong></span></p>
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		<title>working session #2 &#124;&#124; Juan Domínguez</title>
		<link>https://escenasdiscursivas.tkh-generator.net/2011/04/working-session-2-juan-dominguez/</link>
		<comments>https://escenasdiscursivas.tkh-generator.net/2011/04/working-session-2-juan-dominguez/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 21:57:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[01_working sessions]]></category>
		<category><![CDATA[Juan Domínguez]]></category>

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		<description><![CDATA[Juan has a long history at the scene as its prominent actor; he worked here already in the 80s, then left Madrid, and then has come back partially in recent years. His approach to the scene and its critical discourses was subjective and personal, and through the (his)tory of himself as performance maker (choreographer, dancer, [...]]]></description>
			<content:encoded><![CDATA[<p>Juan has a long history at the scene as its prominent actor; he worked here already in the 80s, then left Madrid, and then has come back partially in recent years. His approach to the scene and its critical discourses was subjective and personal, and through the (his)tory of himself as performance maker (choreographer, dancer, programmer) he was telling us the (his)story of the scene &#8211; as they overlap in many aspects.</p>
<p><a href="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_01.jpg"><img class="alignnone size-full wp-image-17" title="juan_01" src="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_01.jpg" alt="" width="850" height="567" /><span id="more-16"></span></a><a href="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_02.jpg"><img class="alignnone size-full wp-image-18" title="juan_02" src="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_02.jpg" alt="" width="850" height="567" /></a><a href="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_03.jpg"><img class="alignnone size-full wp-image-19" title="juan_03" src="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_03.jpg" alt="" width="850" height="567" /></a><a href="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_04.jpg"><img class="alignnone size-full wp-image-20" title="juan_04" src="http://escenasdiscursivas.tkh-generator.net/wp-content/uploads/2011/04/juan_04.jpg" alt="" width="850" height="567" /></a></p>
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