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	<title>escenas discursivas &#187; Amalia Fernández</title>
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	<description>Research on critical discourses on the contemporary performing arts scene in Madrid &#124;&#124; by Ana Vujanovic and Marta Popivoda – TkH: Walking Theory, Belgrade &#124;&#124; Matadero – El Ranchito, 2011/12</description>
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		<title>interview &#124;&#124; Amalia Fernández</title>
		<link>https://escenasdiscursivas.tkh-generator.net/2012/03/interview-amalia-fernandez/</link>
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				<category><![CDATA[02_interviews]]></category>
		<category><![CDATA[Amalia Fernández]]></category>
		<category><![CDATA[continuity]]></category>
		<category><![CDATA[El Club]]></category>
		<category><![CDATA[In-Presentable]]></category>
		<category><![CDATA[Juan Domínguez]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[public talk]]></category>
		<category><![CDATA[theoretical reflection]]></category>

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		<description><![CDATA[Framework of the interview: actors / agencies: - Amalia Fernández, independent artist, choreographer - El Club concepts / themes &#62; lenses to her work: -       critical practices in ways of work and production: - your position is specific – since you live in a village outside Madrid. Why did you decide to move? And how [...]]]></description>
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<p><strong style="text-decoration: underline;">Framework of the interview:</strong><br />
<em><strong>actors / agencies:</strong></em><br />
<em>- </em><em>Amalia Fernández, independent artist, choreographer</em><br />
<em>- </em><em>El Club</em></p>
<p><em><strong>concepts / themes &gt; lenses to her work:</strong></em><br />
-       <span style="text-decoration: underline;">critical practices in ways of work and production:</span><br />
- your position is specific – since you live in a village outside Madrid. Why did you decide to move? And how does it influence your way of work? How do you produce your works? How and with whom do you collaborate? Where do you perform? Do you belong to the Madrid scene? Do you understand it an individualist position? What is your understanding of collectivity?<br />
-       <span style="text-decoration: underline;">critical practices related to the reflection: </span><br />
- Do you have an opportunity to research on your and the others’ artistic practices – if so, what are the structures for it? Can you explain your understanding of El Club in regard to this?<br />
- Are you satisfied with reflections and theoretical feedback on your work?<br />
-       <span style="text-decoration: underline;">other possible themes:</span><br />
- Do you consider your artistic work critical? If so, please explain in which terms, how (by its subjects/themes, or the ways of work&#8230;).<br />
- And, what do you think, is it important for an artist to be critical?</p>
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